L’Ocell Redemptor  chamber opera for one soprano, two instruments and electronics (30′)
Concept and libretto by Fabià Santcovsky.
Commission from Gran Teatre del Liceu in Barcelona.
Régie by Marc Chornet. Stage and scenography created with the collaboration of EINA Centre Universitari de Disseny i Art de Barcelona. Electronics design by Alexis Baskind and Fabià Santcovsky. Sound direction by Alexis Baskind.
Premiere in Gran Teatre del Liceu. Barcelona (Spain) on July 9th 2022.

Transstimme  chamber opera for one soprano, one actor, 10 instruments and electronics (1h30′)
Based in an original concept and story by Fabià Santcovsky.
Commission from the Münchener Biennale in coproduction with the Staatstheater Braunschweig.
Text by Anja Hilling. Régie and theatrical direction by Blanka Rádóczy. Electronics design by Alexis Baskind. Dramturgy by Sarah Grahneis.
Premiere in Gasteig Carl-Orff-Saal in Munich (Germany), on May 16th 2020.
Jelena Bankovic (soprano), Georg Mitterstieler (actor), Christopher Lichtenstein (conduction)
Andreas Simon (sound engineering), Andrea Simeon (costumes).

Las Chanchas  martian opera for 4 singers, 10 instruments and 10 actors (1h30′)
Based in the homonimous novel by Félix Bruzzone. Libretto written by Fabià Santcovsky and Emilio García Wehbi.
Commissioned from Centro de Experimentación y Creación del Teatro Argentino de La Plata (TACEC).
Régie and theatrical creation by Emilio García Wehbi.
Premiered in TACEC Hall in Teatro Argentino de La Plata in La Plata (Argentina), on March 15th 2018.
Conduction by Natalia Salinas. Répétition by Sebastián Boeris.
Soloists: Graciela Oddone (S), María Inés Margarita Franco (M), Ricardo González Dorrego (T), Sebastián Sorarrain (Bar).
[photos]

Antigone Irrende  for soprano (variable duration)
“Ária móvil a capella” from the collective music theatre work ‘Ödipus Lost‘. Text after Sophocles.
Direction of the project by Helga Utz.
Premiered during the Musiktheatertage Wien 2015 by Maren Schwier.

Arbrée (“El enamoramiento de Títiro”) lyrical scene for 2 voices and large ensemble (6’)
Based in the text “Dialogue de l’arbre” written by Paul Valéry (© Éditions Gallimard 1945).
Premiered in concert form by the Ensemble Intercontemporain and Exaudi singers (Juliet Fraser & Jimmy Holliday) under the conduction of Julien Leroy in Le Centquatre (Paris) within the framework of the “Manifeste Academy” organized by IRCAM in June-July 2014 in Paris, France.
[sound] 

Rose der Winde
for orchestra (15 min)
(3.3.3.3.-4.3.3.1.-Timp+2Perc-Hp-Cel-14.12.10.8.6.)
Commission from ECLAT · Festival für Neue Musik Stuttgart.
Premiere : 08.Feb.2020 – Theaterhaus, Stuttgart.
SWR Stuttgart Radio Symphony Orchestra, Michael Wendeberg (conduction).

Homenatge a Casals & Cant de l’Ombra Doble
concerto for 2 soloist Shamisens and large Orchestra (20 min)
(3.3.3.3.-4.3.3.1.-Timp+3Perc-Hp-15.13.11.9.7. + shamisen solo, 2nd shamisen)

Commissioned by Fundación AEOS and Fundación SGAE for L’Auditori (Barcelona)
and the OBC Orchestra (Orquestra Ciutat de Barcelona i Nacional de Catalunya).
Dedicated to Kazushi Ono, the soloists Yoshida Kyōdai : Ken’ichi Yoshida and Ryōichirō Yoshida, and the OBC Orchestra.

Premiere : 17.May.2019 – L’Auditori, Barcelona (Spain) – OBC, Kazushi Ono (conduction),
Ken’ichi Yoshida (Shamisen I), Ryōichirō Yoshida (Shamisen II)

Metamorfosis for orchestra (5’) (2.2.2.2./2.2.3.0./Timp.+2perc./Hp/Cel/14.12.10.8.6.)
Short sketch for orchestra. Reading sessions with Orchestre Philharmonique de Radio France (2014) and Radio-Sinfonieorchester des SWR Stuttgart (2016).
[sound]

Cuadro de Presencia for orchestra (15’) (3.3.3.3.-4.3.3.1.-Timp+3Perc-Hp-Pno-16.14.12.10.8.)
Awarded 2nd Prize at the Toru Takemitsu Composition Award 2015.
Premiered by the Tokyo Philharmonic Orchestra conducted by Kazumasa Watanabe in May 30th 2015 at the Tokyo Opera City Concert Hall (Tokyo, Japan).
Premiered in Europe by Orchestra of Barcelona (OBC) conducted by Kazushi Ono at L’Auditori in Barcelona in 2017.
[sound] available after personal request (private use only)

Geisterlied n.1  for soprano and piano
First work of the soprano and piano song cycle “Geisterlieder”.
Unpremiered, unpublished.

De veu en veu  声から声へ  for Nō singer and violin (14’)
Commissioned by Ryōko Aoki / Ensemble-Nō.
Haiku poems by Bashō, Gozan, Ichishi, Kasenjo, Kyokusai, Okyo, Kanga, Teikitsu, Kyutaro, Hokusai and Tomoemon sung in original Japanese form.
Premiere by Ryōko Aoki (nō) and Masamichi Yokoshima (violin) at Shibaura House in Tokyo in August 2018.
[sound] 

Atlantis Futura  for soprano and bassoon (14’)
Piece written in close collaboration with and dedicated to Nadav Cohen and Reut Ventorero, and premiered by this duo at the Studiosaal der Hochschule für Musik Hanns Eisler in Berlin in January 2016.
[sound] 

Der Sommer for soprano and violin (8’)
After one homonymous poem by Friedrich Hölderlin.
(still unpremiered)

Deus, Deus Meus  for mixed choir of 8 voices (5’)
Premiered at the Cathedral of Barcelona by the cathedral’s choir under the conduction of David Malet, (Spain) May 2011.

Consuelos  for violin and cello (15’)
Comissioned by Los Encuentros de Pamplona 2022.
Premiere by Colectivo E7.2 at Sala de Cámara de la Fundación Baluarte in Pamplona in October 2022.

Æólicas y Esfíngeas  for flute, clarinet, piano, violin and violoncello (12’)
Comissioned by OCAZEnigma, dedicated to Asier Puga and the musicians of the ensemble OCAZEnigma. Premiere by OCAZEnigma at Teatros del Canal in Madrid in October 2020.
[sound] 

Trio i Aurora  for clarinet, percussion and piano (15’)
Comissioned by Sampler Sèries – L’Auditori, dedicated to the CrossingLines Barcelona New Music Ensemble. Premiere by CrossingLines at Fundació Joan Miró in Barcelona in June 2017.

Variaciones en la espera  for septet (12’)
Piece written for and dedicated to ensemble Ascolta. Premiere by Ascolta under the conduction of Chung-Yuan Yu for the festival “Mehrlicht!Musik” organized by Klangzeitort (coordination office from Universität der Künste Berlin and Hochschule für Musik Hanns Eisler Berlin) in Berlin in December 2016.
[sound] 

La durada té el seu secret encara ben guardat  for string trio (12’)
Piece written during the Summer Composition Course from Accademia Chigiana under the tuition of Salvatore Sciarrino. Premiered by the musicians of the Quartetto Prometeo at the Palazzo Chigi-Saracini in Siena in July 2016.

Franz oyéndose en el reflejo del viento a través del tiempo  for ensemble of 8 instruments (10’)
Commissioned by ‘New Talents – Biennale Cologne’ 2016. Premiered by the ensemble Manufaktur für Aktuelle Musik conducted by Susanne Blumenthal at the Kolumba Kunstmuseum in Cologne in May 2016.
[sound]

Quartet n.1  for string quartet (15’) I. A través de la curvatura – II. Cavatina (in modo eolico) – III. Oratge (quasi un Scherzo)
Commissioned by Aldeburgh Music for the Aldeburgh Festival 2015. Premiered by the Arcadia Quartet at the Jubilee Hall in June 19th 2015 (Aldeburgh, UK).
[sound] 

Puertas de Paralogía  for ensemble of 14 players (12’)
Academically performed at the Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart, Stuttgart in June 2013 (Germany) by the Echtzeit Ensemble under the conduction of Christof Löser.
[sound]

Anteartefacto Viento Primo  for percussion duo (8’)
Premiered by the Arena Duo (Manuel Alcaraz, Alejandro Tarrero) at Teatro Helena Sá e Costa, Porto (Portugal), in July 2013.
[sound]

Ideología de Roble  for Double-Bass Ensemble (8 to 12 players) (9’)
Commission by the Association Contrebassensemble premiered during the Stage du Contrebasse in La Bussière (France) by the professors (Jean-Baptiste Pelletier, Florian Pertzborn, Julien and students of the stage and conducted by Véronique Gautheron, in July 2013.
[sound]

Ruinas y Máscaras  for ensemble of 13 players (11’)
Premiered by the BCN-216 Ensemble under the conduction of Francesc Prat at the L’Auditori in Barcelona (Spain), May 2012.
[sound]

Noche, sabor, verso  for ensemble of 12 players (10’)
Premiered by the ICP Ensemble under the conduction of Mark Foster in the final round of the “International Composer Pyramid” competition, at the Augustine Hall in Canterbury (UK), December 2012.

Desierto y Oasis  for accordion and clarinet (14’)
Awarded 1st Prize for the IV ‘Francisco Escudero’ Accordeon Composition Competition. Premiered by Nikola Tanaskovic (accordion) and Lucia Otaegi (clarinet) within the birth centenary celebration of composer Francisco Escudero in Zarauz (Spain) September 2012.
[sound]

Ombres Flottantes  for piano (6′)
After “Les ombres errantes” by François Couperin.
Unpremiered, unpublished.

Fantasia Suspesa for piano (6’)
Written for and dedicated to Klaus Steffes-Holländer.
Premiered in Ständesaal des LWV Hessen, Kasseler Musiktage, Kassel (Germany) on November 1st 2019.

Veu i vol d’un ocell d’Arquitània  for microtonal accordion (6’)
Written for and dedicated to Iñaki Alberdi.
Premiered in Fundación Juan March in Madrid (Spain) on April 4th 2018.
[sound] / (video)

La Hora Parlante del Trigo  for violin (8’)
(still unpremiered)

La Brisa al Través de Títiro  for flute (2’30’’)
Small piece for flute dedicated to Almudena González Vega.

Nom  for viola (cycle of pieces)
(work in progress, still unpremiered)

Tempel Im Gehör  for cello (10’)
(still unpremiered)

Time Between Breaths  for solo tape (5’)
(still unpremiered)

Le Voyage dans la Lune  for flute, clarinet, violin, cello and electronics (14’)
Music for the silent film by Georges Méliès. Comissioned by OCAZEnigma.
Premiere by OCAZEnigma under the conduction of Asier Puga at Teatros del Canal in Madrid in October 2022.

Estado y Sistema  for ensemble of 6 players (12’)
Premiered by the Ensemble Zahir, conductor Juan García Rodríguez, at the Auditorio 400 of the Reina Sofía Museum in Madrid (Spain), September 2011. Concert of the finalists of INJUVE’s “Creación Joven” 2011 Composition Competition.

Invocación de Agosto  for ensemble of 7 players (12’)
(still unpremiered)

Camino Hacia…  piece for string quartet (7’)
Premiered by the Cuarteto Impromptu, commissioned by and performed at the University Pompeu Fabra of Barcelona (Spain), within the “1^st Barcelona Spring Management Meeting”, April 2011.

Meeting & No-Return Points  piece for string quartet (5’)
Premiered by the Cuarteto Impromptu, commissioned by and performed at the University Pompeu Fabra of Barcelona (Spain), within the “1^st Barcelona Spring Management Meeting”, April 2011.

Divided Trio  for flute, oboe and violin (8’)
(still unpremiered)

Nuevos Cielos  for organ (10’)
(still unpremiered)

Portales  for oboe (9’)
(still unpremiered)